High Court restrains Wynk & Airtel from providing downloading and live streaming services of Tips Repertoire.Justice Kathawalla of Bombay High Court in it order has observed that recently the music industry which has experienced a rise of over the top service providers, who seek safe harbour under Section 31-D to exploit copyrighted works, through either internet broadcast or download features, without seeking / obtaining a license from the owners thereof. In my view, such use of the copyrighted works, through internet broadcast or download features, without obtaining a license from the owners of the copyright amounts to usurpation of the exclusive rights of the owners to commercially rent, sell or communicate to the public their sound recordings.
In its order that will stop the way the OTTs had been exploiting the copyright content of various music labels without paying the license fee to the latter, the Bombay High Court issued injunction M/s. Wynk Limited, an Over-The-Top (OTT) platform & M/s. Bharati Airtel Limited (Airtel) from commercial rental or sale by way of allowing download in any manner, on its musical portal or Wynk App, of the songs from the repertoire of Tips and further restrained it from allowing interactive streaming of the said songs. The common order has been issued on 23rd April, 2019 in favour of Tips Industries Limited in in two Commercial IP Suits filed by it against Wynk and Airtel.
The Court while holding that the Sale/Commercial rental of sound recordings in a digital medium through the internet was no different than done through physical modes had inter alia observed that the activities of Wynk and Airtel, enabling its customers to download sound recordings and access them offline in lieu of a monthly subscription fee was essentially renting out the sound recordings which clearly did not fall under the exclusions provided in the definition of ‘commercial rental’ and were a vivid instance of a commercial rental as contemplated under the Copyright Act, for which Wynk / Airtel did not have any such right, authorization or permission of the Tips.
The Court also observed that with the purchase and download feature, Wynk was enabling its customers to store physical files / electronic copies of the Tips Repertoire on their devices in abrogation of the exclusive rights granted to the Tips under section 14(1)(e) of the Act. It also rejected the claim of Wynk that it being a broadcasting organization was entitled to a statutory license under Section 31-D of the Copyright Act, 1957 to communicate the work to the public by way of broadcast of the musical work and sound recordings of Tips.
While observing that in the provisions of sec. 31-D of the Act, the legislature intent clearly provided the distinction between the right to commercial rental or to sell on one hand and the right to broadcast on the other hand, it held that the provisions of the said section provides only for communication to public by way of broadcast of sound recordings and not their commercial rental and / or sale, thus excluding the latter activities from the purview of the statutory license issued under the said Section. It thus prohibited Wynk Limited and Airtel from exercising a statutory license apropos thereto.
The court also negated the benefit of Section 31-D as claimed by Wynk that it being a broadcasting organization were communicating to the public by way of broadcast of the Tips Repertoire over internet. It held that under the provisions of the Act and rules thereunder, Statutory License under Section 31-D, which was only restricted to radio and television broadcasting organisations, and no other broadcasting was contemplated therein including internet broadcasting. It held that the contention of Wynk / Airtel that they are broadcasting sound recordings over internet and that internet broadcasting is a type of audio broadcasting and hence internet broadcasting falls within the term ‘radio broadcasting’ was misplaced.
It was also observed by Court that Act and Rules therewith provide that prior fixation of the rate of royalty is the fundamental and primary criteria for any statutory license to come into existence in the first place. Without prior fixation of rate of royalty, there is no question of existence of any statutory license. Thus, Statutory License under Section 31-D of the Act does not “automatically kick in” once notice is sent to the owner, without fixation of royalty rates by the Appellate Board.
The court also observed that Section 31-D is an expropriatory legislation and the interest of the expropriated copyright owners must be considered while interpreting the said section. The interpretation of the said section as proposed by Wynk and Airtel would push the copyright owners into a perilous position where ‘internet broadcasting organizations’ could override the copyright owner’s exclusive right over their copyrighted works granted under the Act and use the works without their prior authorization / licence.
The Court also specifically rejected the proposal of Wynk to allow it to broadcast Tips Repertoire over internet upon payment of monetary deposit with the Court during the pendency of the Suit.
Mr. Kumar Taurani of Tips Industries Limited stated that the order manifests the the provisions of 31-D of the Copyright Act in its correct perspective, which were hitherto being mis-utilized by various OTTs. He was positive that the OTTs and other service providing platforms will now approach the first copyright holders for providing licensed downloads of their music.
Those of you who have been around from the 1960's through the 1990's will remember the vibrant live music scene in almost every starred hotel in India. Those were the days when you walked into a nightclub like 'Rendezvous' at The Taj Mahal hotel and 'Supper Club' at the Oberoi Sheraton in Mumbai to see curtains going up on a band that was the prime focus of these outlets. Every seat in these restaurants allowed an unobstructed view of the band that performed every night on resident contracts. Today all this has disappeared thanks to some ridiculously high entertainment taxes on live music. Today, non off these hotels have complete bands playing save for a few that feature small duos or solo singers. The Lodhi in New Delhi, recently listed among the world's best hotels, decided to step in and rewind to the good old days. They got Goa's premier jazz quartet 'Jazz Junction' to move to Delhi on a resident contract and the decision has paid off in terms of footfalls generated by the band. Jazz Junction featuring singer Daniella Rodrigues, pianist Tony Dias,
bassist Colin D'Cruz and drummer Angelo Colasco began playing at The Lodhi in June 2018. Four months into the contract the band generated a sizeable following, with quite a few high profile guests choosing to celebrate their special occasion at the Elan bar where the band performs. Against all odds the rewind option proved to be a huge success and hopefully other properties around the country takes the cue to trigger a whole new revival of live music.